Racism, sexism, homophobia, and transphobia too “Hair metal” ruled the airwaves in the ’80s with bands like Poison, Mötley Crüe, and Ratt blurring the lines between masculinity and femininity with their long hair, makeup, tight pants, and high heels, all while managing to still be sexist and misogynistic. Unshaven armpits and legs became ubiquitous with feminists in the 1970s. Think of all the Renaissance paintings of white women who have no hair on their bodies save the hair on their heads, which is usually flowing and long.
Popular culture has shaped how we think about hair. Then the pandemic happened, and I have long hair again. Now I was bald as a cue ball.Īfter treatment, when my hair started to regrow, I kept my hair short because I couldn’t bear the idea of going through that awkward “growing out” phase to grow it long again. Then, when I got breast cancer and at age 37, I lost all of my hair, every single strand including my eyelashes, thanks to chemo. For decades I shaved my legs despite the constant razor burn. I have my own complicated history with hair. I wonder why you never see people protesting at funerals with signs that read “God Hates Bowl Cuts” or bakers refusing to make cakes for men with clean-shaven faces. Yes, this is the same Leviticus that people use as “proof” that the Bible forbids and opposes homosexuality. In Leviticus, it states that men shouldn’t trim their beards or the hair at their temples.
A lot of it goes back to the Bible, which has lots of wild opinions about hair. The rules about hair in the United States are, well, hairy. Featuring stunning new artwork from João Ruas and pressed on 180 gram Black vinyl.KPRC 2 Click2Houston/ YouTube Racism, sexism, homophobia, and transphobia because of hair Similarly Jon Brion quickly became a film composition staple shortly after Magnolia's release.īoth Aimee and Jon's contributions elevate the already unique three hour ensemble drama to a dark, modern take on a classic film musical.Īvailable for the first time in a single release - and also for the first time on vinyl - the soundtrack and score to Magnolia is spread across three LPs (Disc One: Songs by Aimee Mann, Discs Two and Three: Score by Jon Brion). 2 or, the Last Remains of the Dodo' shortly after the release of this film, and was finally able to break away from major label ties.
The soundtrack helped amplify Aimee Mann's solo career she self-released her essential album 'Bachelor No. He brought in musician Jon Brion - who would go on to compose Punch-Drunk Love - to pen his first solo film score, and worked with singer/songwriter Aimee Mann to craft original songs based on the film's script, eventually incorporating some of her lyrics into the dialogue in the script.
MAGNOLIA SOUNDTRACK ONE YOUTUBE FULL
Magnolia is an epic of interconnected stories about love and loss, abuse and forgiveness, over the course of a seemingly normal day in Los Angeles, coming together in a stormy, emotional conclusion that is still as shocking and effective today as it was 18 years ago.įollowing his breakout film Boogie Nights, a film full of period accurate needle drops (and a fairly popular soundtrack album), Anderson took a much different approach with Magnolia. Mondo is proud to present the premiere vinyl release of the soundtrack and score to Paul Thomas Anderson's Magnolia as a three LP set.
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